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home·artworks·Fishing boats off Scotland by John Wilson Carmichael
Fishing boats off Scotland by John Wilson Carmichael by John Wilson Carmichael

plate no. 2370

Fishing boats off Scotland by John Wilson Carmichael

John Wilson Carmichael

oilRomanticismmarinaseaboatsfiguresrocksbuildingssky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic waves and water movement. It also offers practice in depicting figures within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements (rocks, buildings, boats).

  2. step 02

    Establish the sky with light blue and white, blending for soft cloud formations.

  3. step 03

    Block in the landmasses with muted greens, browns, and grays, paying attention to value changes for depth.

  4. step 04

    Roughly define the water with varying shades of blue and green, indicating wave direction.

  5. step 05

    Add the large rocks in the foreground, using a mix of browns, grays, and highlights to create form.

  6. step 06

    Paint the boat and figures, focusing on simple shapes and color variations.

  7. step 07

    Refine the water, adding white highlights for breaking waves and foam.

  8. step 08

    Add final details like birds, reflections, and subtle color adjustments.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · raw sienna · payne's gray

Achieve the various blues and greens of the water by mixing ultramarine blue with white, yellow ochre, and a touch of burnt umber. Use white to lighten and create highlights. Muted greens for the land are achieved by mixing yellow ochre, burnt umber, and a touch of blue.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brushing for texture
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early.
  • →Creating overly saturated colors, losing the atmospheric effect.
  • →Making the wave highlights too uniform and unnatural.
  • →Ignoring the subtle value changes in the water and land.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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