apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fishermen on the Terrace
Fishermen on the Terrace by Franz Richard Unterberger

plate no. 4199

Fishermen on the Terrace

Franz Richard Unterberger

oil, canvasRomanticismcityscapeseabuildingsfigurestreesskycityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering light and shadow to create depth. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition, focusing on the placement of key elements like the buildings, figures, and horizon line.

  2. step 02

    Block in the sky and sea with broad washes of color, establishing the overall warm tone.

  3. step 03

    Establish the basic shapes and values of the buildings and landscape elements, working from dark to light.

  4. step 04

    Start adding details to the buildings and foliage, paying attention to the way light and shadow define their forms.

  5. step 05

    Carefully paint the figures, focusing on their proportions and gestures.

  6. step 06

    Refine the details of the foreground, including the terrace and fishing net.

  7. step 07

    Add highlights and shadows to create a sense of depth and atmosphere.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious overall effect.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium yellow · raw sienna

Achieve the warm, golden tones by mixing yellow ochre and burnt umber with varying amounts of white. Use ultramarine blue to create cooler shadows and to mix with yellow ochre for greens.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·rendering figures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium yellow, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a toned canvas to establish a warm undertone.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke