apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fisherman, Cape Elizabeth, Maine
Fisherman, Cape Elizabeth, Maine by George Luks

plate no. 9074

Fisherman, Cape Elizabeth, Maine

George Luks, 1922

oil, canvasImpressionismgenre paintingboatfigurebeachoceancliffsky
some experience helpful

This painting is great for learning how to capture light and shadow with visible brushstrokes and how to mix colors to create a sense of depth and atmosphere. Recreating this painting will also help students understand how to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the boat, figures, cliff, and horizon line.

  2. step 02

    Block in the main colors of the sky, water, beach, and cliff using thin washes.

  3. step 03

    Establish the darkest and lightest values in the scene to create contrast.

  4. step 04

    Begin adding details to the boat and figures, focusing on capturing their forms with simple brushstrokes.

  5. step 05

    Develop the texture of the beach and cliff using broken color and varied brushstrokes.

  6. step 06

    Refine the colors and values throughout the painting, paying attention to the effects of light and shadow.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red · viridian green

Mix greens by combining ultramarine blue and yellow ochre. Create muted tones by mixing complementary colors. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and creating a cluttered composition.
  • →Failing to establish a strong value structure.
  • →Not mixing colors properly, resulting in muddy or unnatural tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann