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home·artworks·Fisher Lane by Great Bridge, Cambridge
Fisher Lane by Great Bridge, Cambridge by Edward Robert Hughes

plate no. 6441

Fisher Lane by Great Bridge, Cambridge

Edward Robert Hughes

oilRomanticismlandscapebuildingswaterbridgetreesskylaundry
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting architectural forms with simplified details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, bridge, and water line, focusing on proportions and perspective.

  2. step 02

    Establish the overall tonal values with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the buildings, sky, and water, using a limited palette.

  4. step 04

    Begin to define the details of the buildings, such as windows, doors, and rooflines.

  5. step 05

    Add the reflections in the water, paying attention to the distortion and color variations.

  6. step 06

    Develop the foliage of the trees with loose, gestural brushstrokes.

  7. step 07

    Refine the details of the bridge and the laundry line.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium red light

Mix various shades of brown and gray by combining burnt umber, raw sienna, and white. Add small amounts of blue or red to adjust the temperature of the colors.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking the details
  • →Ignoring the atmospheric perspective
  • →Making the reflections too literal
  • →Using too many colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·#4 round brush
  • ·#8 flat brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider toning the canvas with a thin wash of burnt umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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