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home·artworks·Fish seller, Evening Market
Fish seller, Evening Market by Petrus van Schendel

plate no. 5447

Fish seller, Evening Market

Petrus van Schendel, 1843

oil, canvasRomanticismgenre paintingfigurescandlelightmarketfishnightbuildings
experienced study

Recreating this painting will help students understand chiaroscuro and how light affects color perception in a dark environment. It also provides practice in rendering figures and objects with subtle gradations of tone.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the basket of fish.

  2. step 02

    Establish the darkest areas of the painting with a dark, neutral tone (e.g., burnt umber mixed with black).

  3. step 03

    Block in the main areas of light, starting with the brightest highlights around the candle flame.

  4. step 04

    Gradually build up the mid-tones, paying close attention to how the light falls on the figures and objects.

  5. step 05

    Refine the details of the faces, clothing, and fish, using smaller brushes.

  6. step 06

    Add subtle color variations to create depth and realism.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the luminosity.

  8. step 08

    Add final highlights and shadows to create a sense of drama and atmosphere.

color palette

primary · ivory black · raw umber · titanium white · cadmium yellow

secondary · alizarin crimson · ultramarine blue · yellow ochre

Achieve the dark, muted tones by mixing black, umber, and small amounts of blue or crimson. Use yellow and white to create the candlelight glow and highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle gradations of tone in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider toning the canvas with a thin wash of raw umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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