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home·artworks·Finish of the 1827 St Leger. Matilda Beats Mameluke
Finish of the 1827 St Leger. Matilda Beats Mameluke by John Frederick Herring Sr.

plate no. 2609

Finish of the 1827 St Leger. Matilda Beats Mameluke

John Frederick Herring Sr., 1827

oilRomanticismanimal paintinghorsesjockeysskycloudsgrassfence
some experience helpful

Recreating this painting will help students develop skills in depicting animal anatomy and movement, as well as creating atmospheric perspective in the sky and landscape. Students will also learn to mix realistic colors for horses and clothing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the horses, jockeys, and basic landscape elements.

  2. step 02

    Block in the sky with broad strokes, establishing the cloud formations and atmospheric perspective.

  3. step 03

    Establish the base tones for the grass and ground, creating a sense of depth.

  4. step 04

    Paint the horses, focusing on accurate anatomy and dynamic poses.

  5. step 05

    Add details to the jockeys' clothing and the horses' tack.

  6. step 06

    Refine the details of the fence and background elements.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ultramarine blue · raw sienna · ivory black

Mix various shades of brown for the horses by combining burnt umber, raw sienna, and black. Achieve the sky colors by mixing ultramarine blue, white, and a touch of yellow ochre. Use yellow ochre and raw sienna to create the grassy field.

techniques

  • ·blocking in
  • ·blending
  • ·glazing
  • ·atmospheric perspective
  • ·animal anatomy

common pitfalls

  • →Incorrect proportions of the horses
  • →Overly harsh or unrealistic colors
  • →Lack of depth in the landscape
  • →Ignoring the subtle color variations in the sky

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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