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Figures at the fountain by Gabriele Smargiassi

plate no. 9659

Figures at the fountain

Gabriele Smargiassi

oil, cardboardRomanticismgenre paintingfiguresfountainarchitecturewaterclothingfoliage
some experience helpful

Recreating this painting will help students develop skills in figure painting, capturing light and shadow, and creating a sense of depth using atmospheric perspective. It also provides practice in mixing muted colors and rendering textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the fountain.

  2. step 02

    Block in the main shapes with thin washes of color, establishing the overall value structure.

  3. step 03

    Begin refining the figures, paying attention to proportions and anatomical details.

  4. step 04

    Develop the background elements, such as the fountain and foliage, using loose brushstrokes.

  5. step 05

    Add details to the clothing and facial features, using smaller brushes.

  6. step 06

    Refine the lighting and shadows, creating a sense of depth and volume.

  7. step 07

    Add final touches, such as highlights and textures, to bring the painting to life.

  8. step 08

    Let dry and varnish.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve the muted tones by mixing complementary colors (e.g., blue and orange, red and green) with white. Use raw umber and white for the base tones of the architecture and figures.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figures
  • →Muddying the colors by overmixing
  • →Ignoring the overall value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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