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home·artworks·Fight for the Water Hole
Fight for the Water Hole by Frederic Remington

plate no. 9720

Fight for the Water Hole

Frederic Remington, 1903

oil, canvasImpressionismgenre paintingfigureshorsesdesertmountainsskywater
some experience helpful

This painting provides a good opportunity to practice depicting figures in a landscape and understanding light and shadow to create depth. Students can also develop their skills in painting realistic textures, such as the rough terrain and the smooth water surface.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, horses, and landscape elements.

  2. step 02

    Block in the large areas of color, starting with the sky, mountains, and desert floor.

  3. step 03

    Establish the light and shadow patterns, paying attention to the direction of the light source.

  4. step 04

    Develop the details of the figures and horses, focusing on their anatomy and clothing.

  5. step 05

    Add texture to the landscape using broken brushstrokes and varying paint thickness.

  6. step 06

    Refine the colors and values, ensuring that the painting has a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze the painting with a thin layer of medium to unify the colors and add a subtle sheen.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · raw sienna · cadmium red

Mix yellow ochre and burnt umber for the desert sand. Use ultramarine blue and white for the sky and mountains. Mix burnt umber and cadmium red for the figures' clothing.

techniques

  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Failing to establish a strong light and shadow pattern.
  • →Using colors that are too saturated and unnatural.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for a good balance of texture and smoothness. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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