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Figaro by Samuel Mutzner

plate no. 7999

Figaro

Samuel Mutzner

oilImpressionismcityscapecityscapestreetbuildingsfiguressignsstorefront
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and simplifying complex scenes into basic shapes and values. It also provides practice in using loose brushstrokes to suggest detail rather than rendering it precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Establish the overall value structure with a thin wash of diluted brown or umber.

  3. step 03

    Block in the main areas of color, focusing on the warm tones of the buildings and signs.

  4. step 04

    Add darker values to define the figures and create depth in the street scene.

  5. step 05

    Use short, broken brushstrokes to suggest the details of the buildings and figures.

  6. step 06

    Introduce highlights to create a sense of light and atmosphere.

  7. step 07

    Refine the edges and details, paying attention to the overall impression rather than precise rendering.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · raw sienna · yellow ochre

secondary · cadmium red · ultramarine blue · titanium white

Mix burnt umber and raw sienna for the dominant warm tones. Add small amounts of red or blue to adjust the temperature. Use white sparingly to create highlights and subtle variations in value.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·value blocking
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to establish a strong value structure, resulting in a flat or muddy painting.
  • →Using too much white, which can make the colors appear chalky.
  • →Ignoring the principles of atmospheric perspective, which can flatten the sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall warm tone of the painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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