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home·artworks·Fields, Plain of Gennevilliers
Fields, Plain of Gennevilliers by Gustave Caillebotte

plate no. 2432

Fields, Plain of Gennevilliers

Gustave Caillebotte, 1884

oil, canvasImpressionismlandscapefieldgrassskycloudslandscapehorizon
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the fleeting effects of light and atmosphere. The painting also offers practice in creating a sense of perspective using color and brushstroke variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, middle ground, and foreground.

  2. step 02

    Establish the horizon line and the main shapes of the clouds.

  3. step 03

    Block in the sky with light blues and whites, using loose, broken brushstrokes.

  4. step 04

    Paint the distant fields with muted greens and yellows, suggesting atmospheric perspective.

  5. step 05

    Begin layering the foreground grasses with a variety of greens, yellows, and whites.

  6. step 06

    Add texture to the grasses using short, broken brushstrokes and varying the direction of the strokes.

  7. step 07

    Introduce subtle variations in color and value to create depth and interest in the foreground.

  8. step 08

    Refine the details and adjust the overall balance of the painting.

color palette

primary · cerulean blue · titanium white · yellow ochre · sap green

secondary · raw umber · cadmium yellow light · alizarin crimson

Mix greens by combining blues, yellows, and a touch of umber. Achieve atmospheric perspective by lightening and muting colors as they recede into the distance.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating too much contrast in the foreground, which can flatten the image.
  • →Failing to capture the subtle variations in color and value.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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