apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fields around the Forest
Fields around the Forest by Alfred Sisley

plate no. 1361

Fields around the Forest

Alfred Sisley, 1895

oil, canvasImpressionismlandscapetreeslandscapeskyfieldfigureroad
some experience helpful

Recreating this painting will help students develop skills in color mixing for natural light and shadow, as well as layering brushstrokes to create texture and depth in foliage and landscapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, road, and horizon line.

  2. step 02

    Block in the sky with light blue, gradually adding subtle variations in tone.

  3. step 03

    Establish the main masses of the trees with dark greens and blues, paying attention to the overall shape.

  4. step 04

    Begin layering in lighter greens, yellows, and blues to represent the foliage, using short, broken brushstrokes.

  5. step 05

    Paint the field with a mix of greens, yellows, and browns, varying the colors to suggest depth and texture.

  6. step 06

    Add the road with a mix of whites, grays, and blues, using horizontal strokes to create a sense of perspective.

  7. step 07

    Introduce the figure and hay bales, keeping them simple and suggestive.

  8. step 08

    Refine the details, adding highlights and shadows to enhance the form and create a sense of light.

color palette

primary · cerulean blue · yellow ochre · sap green

secondary · burnt umber · titanium white · ultramarine blue

Mix greens by combining blues and yellows, and use white to lighten colors and create highlights. Achieve earth tones by mixing browns, blues, and yellows.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·layering

common pitfalls

  • →overblending colors
  • →losing the sense of light and atmosphere
  • →making the foliage too uniform
  • →neglecting the subtle color variations in the sky

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes sizes 2, 4, 6
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann