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home·artworks·Field. Sunset
Field. Sunset by Ivan Aivazovsky

plate no. 5463

Field. Sunset

Ivan Aivazovsky, 1861

oilRomanticismlandscapesunsetfieldfiguresskylandscapehill
some experience helpful

Recreating this painting will help students develop skills in blending colors to create atmospheric perspective and in simplifying complex shapes into basic forms. It also provides practice in creating a sense of depth using value and color temperature changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the hill, and the figures.

  2. step 02

    Block in the sky with broad strokes, starting with the lightest yellow and gradually adding orange and red towards the horizon.

  3. step 03

    Paint the distant landmasses with muted tones of brown and gray.

  4. step 04

    Establish the dark mass of the hill, paying attention to its overall shape and the subtle variations in tone.

  5. step 05

    Add the path leading up the hill, using lighter values to suggest its form.

  6. step 06

    Paint the figures in the distance with minimal detail, focusing on their silhouettes.

  7. step 07

    Add details to the top of the hill, such as the tree branches and the suggestion of a building.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a sense of atmosphere and depth.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · raw umber

Achieve the sunset colors by blending yellow ochre, cadmium red, and a touch of burnt sienna. Use ultramarine blue and raw umber to create the darker tones for the hill and foreground.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·value studies
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Using colors that are too saturated, which can detract from the atmospheric effect.
  • →Failing to create a strong sense of depth by not varying the values and colors appropriately.
  • →Ignoring the subtle color shifts in the sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·raw umber oil paint
  • ·linseed oil
  • ·assorted brushes

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas to allow for both smooth blending and subtle texture.

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