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home·artworks·Field near Pencerrig
Field near Pencerrig by Thomas Jones

plate no. 8420

Field near Pencerrig

Thomas Jones, 1776

oilRomanticismlandscapetreeslandscapebuildinghillsskyfield
some experience helpful

This painting is good for learning atmospheric perspective and how to simplify complex forms into basic shapes. Students can practice creating depth using color and value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tower, trees, and horizon line.

  2. step 02

    Block in the sky with a light blue, creating a subtle gradient.

  3. step 03

    Establish the dark masses of the trees and tower using a dark brown or green.

  4. step 04

    Add the base layer of the field with a muted green, varying the tone to suggest undulation.

  5. step 05

    Begin layering details on the trees, using lighter greens and yellows to suggest foliage.

  6. step 06

    Add details to the tower, indicating the individual stones and shadows.

  7. step 07

    Paint the distant hills with a lighter, cooler green to create atmospheric perspective.

  8. step 08

    Add final details like small flowers in the foreground and subtle highlights on the trees.

color palette

primary · ultramarine blue · raw umber · yellow ochre · titanium white

secondary · burnt sienna · sap green

Mix greens by combining blue, yellow, and umber. Use white to lighten colors and create atmospheric perspective in the distance. Add a touch of red to darken the greens.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details in the trees, losing the overall form.
  • →Making the colors too saturated, failing to create a sense of distance.
  • →Ignoring the subtle value changes that create depth.
  • →Not simplifying the landscape into basic shapes before adding details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground (e.g., raw umber) to create a warmer base.

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