apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fetiţa cu fundiţe roşii
Fetiţa cu fundiţe roşii by Octav Angheluta

plate no. 1190

Fetiţa cu fundiţe roşii

Octav Angheluta

oilImpressionismportraitportraitgirlfigurebedpillowred ribbons
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing light and shadow with visible brushstrokes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the girl, pillow, and background.

  2. step 02

    Block in the main areas of color: skin tones, hair, clothing, background.

  3. step 03

    Begin layering colors to build depth and dimension in the face and hair.

  4. step 04

    Add highlights and shadows to define the form of the pillow and clothing.

  5. step 05

    Refine the details of the face, such as the eyes, nose, and mouth.

  6. step 06

    Add the red ribbons in the hair and the details on the dress.

  7. step 07

    Adjust the overall color harmony and value contrast.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · burnt sienna · cadmium red · ultramarine blue

secondary · yellow ochre · raw umber · viridian

Mix skin tones using white, burnt sienna, and a touch of red and blue. Achieve the background color by mixing white, blue, and a small amount of green. Create the orange hues by mixing red and yellow.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Getting the proportions of the face wrong.
  • →Using colors that are too saturated.
  • →Failing to capture the light and shadow effectively.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann