
plate no. 6723
Sebastiano del Piombo, 1512
Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice creating realistic textures like fur and fabric.
technical profile
approach — 8 steps
Begin with a light sketch outlining the main figures and architectural elements.
Establish the background landscape and architectural details with thin washes of color.
Block in the main shapes and values of the figures, focusing on accurate proportions.
Develop the skin tones using layers of subtle color variations and soft blending.
Render the fur texture using a combination of dry brushing and stippling techniques.
Add details to the clothing, including folds, highlights, and shadows.
Refine the architectural details and add the letters and inkwell on the table.
Add final highlights and shadows to create depth and dimension.
color palette
primary · ivory black · raw umber · yellow ochre · titanium white
secondary · burnt sienna · ultramarine blue · cadmium red light
Achieve skin tones by mixing yellow ochre, cadmium red light, and titanium white; use raw umber and ivory black for dark areas and shadows. Mix ultramarine blue and burnt sienna for the green in the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

The Adoration of the Kings
Giorgione

The Annunciation
Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)
Giorgione

St. Helena
Cima da Conegliano

St. Nicholas of Tolentino
Pietro Perugino

Portrait of Elizabeth Gonzaga
Raphael

Sibyl
Dosso Dossi

Madonna with Child and Saints
Raphael