apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ferdowsi
Ferdowsi by Amir Mohammad Ghasemizadeh

plate no. 8093

Ferdowsi

Amir Mohammad Ghasemizadeh

canvas, oilImpressionismportraitportraitfigurefaceabstractbluetexture
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and using value to create form within an abstract composition. It also encourages experimentation with color mixing and layering to achieve depth and texture.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic outline of the face on the canvas.

  2. step 02

    Block in the darkest areas of the face with a deep blue or black.

  3. step 03

    Begin applying broad, directional brushstrokes of lighter blues and grays to define the planes of the face and surrounding area.

  4. step 04

    Introduce small amounts of orange/gold to create highlights and visual interest.

  5. step 05

    Layer additional brushstrokes, varying the pressure and direction to build texture and depth.

  6. step 06

    Refine the shapes and values of the facial features, paying attention to the interplay of light and shadow.

  7. step 07

    Add final details and adjust the overall composition as needed.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · ultramarine blue · titanium white · ivory black

secondary · burnt sienna · yellow ochre

Mix various shades of blue by combining ultramarine blue with white and black. Create the orange/gold highlights by mixing burnt sienna with yellow ochre and a touch of white.

techniques

  • ·directional brushstrokes
  • ·impasto
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating a muddy or undefined composition.
  • →Using too much paint and obscuring the underlying layers.
  • →Neglecting the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·assorted flat brushes
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve a variety of textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann