
plate no. 5653
George Henry, 1916
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding atmospheric perspective and creating depth through color and brushwork.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, table, and background.
Establish the main areas of light and shadow with a thin wash of color.
Begin building up the skin tones, focusing on subtle variations in color and value.
Paint the dress and shawl, paying attention to the folds and drapery.
Develop the background foliage, using broken brushstrokes to create a sense of depth and texture.
Add details to the face, such as the eyes, nose, and mouth.
Refine the edges and details throughout the painting.
Add final highlights and shadows to enhance the overall effect.
color palette
primary · titanium white · yellow ochre · cerulean blue · raw umber
secondary · cadmium red light · viridian green · ivory black
Mix skin tones using titanium white, yellow ochre, cadmium red light, and a touch of raw umber. Create the greens for the background by mixing cerulean blue, yellow ochre, and viridian green. Use raw umber and ivory black for shadows and details.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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