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Farmyard by Alexandre-Gabriel Decamps

plate no. 3303

Farmyard

Alexandre-Gabriel Decamps, 1850

oil, canvasRomanticismcityscapebuildingscourtyardfiguredogshadowsarchitecture
some experience helpful

Recreating this painting will help students understand how to depict light and shadow in an architectural setting and how to create a sense of depth using atmospheric perspective. It also provides practice in rendering textures of stone, wood, and fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the buildings and courtyard.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Block in the larger shapes of the figure, dog, and other elements in the scene.

  4. step 04

    Begin building up layers of color, focusing on the variations within the light and shadow areas.

  5. step 05

    Add details to the architectural elements, such as the roof tiles, windows, and doors.

  6. step 06

    Refine the details of the figure and dog, paying attention to their forms and proportions.

  7. step 07

    Add highlights and details to create a sense of realism and depth.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values.

color palette

primary · burnt umber · raw sienna · titanium white · red oxide

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, and titanium white. Use ultramarine blue and ivory black to create cooler shadows. Add yellow ochre to warm the highlights.

techniques

  • ·underpainting
  • ·layering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the perspective wrong can ruin the sense of depth.
  • →Overworking the details too early can lead to a stiff and unnatural look.
  • →Failing to capture the subtle variations in light and shadow can flatten the image.
  • →Using colors that are too saturated can detract from the overall mood.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·red oxide oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a fine weave to allow for detailed brushwork. Consider toning the canvas with a thin wash of burnt umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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