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home·artworks·Farmhouse with bare oaks
Farmhouse with bare oaks by Gregoire Boonzaier

plate no. 7815

Farmhouse with bare oaks

Gregoire Boonzaier, 1942

oilImpressionismlandscapefarmhousetreesskylandscapefoliagebuilding
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into basic shapes. It's a good exercise in capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the farmhouse, trees, and horizon line using light pencil strokes.

  2. step 02

    Block in the sky with a thin layer of light blue, allowing some of the canvas to show through.

  3. step 03

    Establish the main masses of the trees with a mix of browns, greens, and grays, focusing on the overall shapes.

  4. step 04

    Paint the farmhouse with off-white, paying attention to the shadows and highlights to define its form.

  5. step 05

    Add details to the trees, such as branches and textures, using a variety of brushstrokes.

  6. step 06

    Develop the foreground with greens and browns, suggesting grass and foliage.

  7. step 07

    Add final touches, such as highlights on the farmhouse and details in the trees, to bring the painting to life.

  8. step 08

    Consider adding the chickens in the foreground as a final detail.

color palette

primary · titanium white · yellow ochre · ultramarine blue

secondary · burnt umber · sap green · cadmium yellow

Mix white with small amounts of yellow ochre and burnt umber to achieve the off-white of the farmhouse. Use ultramarine blue and yellow ochre to create various shades of green for the foliage.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Making the colors too saturated and bright.
  • →Not establishing a clear value structure.
  • →Ignoring the importance of negative space in the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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