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home·artworks·Farm in Osny
Farm in Osny by Paul Gauguin

plate no. 7791

Farm in Osny

Paul Gauguin, 1883

oil, canvasImpressionismlandscapebuildingslandscapetreesskywaterfarm
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating texture with brushstrokes, and understanding atmospheric perspective. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and water, focusing on composition.

  2. step 02

    Block in the sky with light blue and white, creating soft cloud shapes.

  3. step 03

    Establish the main color masses for the buildings, using a base of white mixed with earth tones.

  4. step 04

    Paint the red roofs, varying the color slightly to suggest light and shadow.

  5. step 05

    Add the dark greens and browns for the trees and foliage, using short, broken brushstrokes.

  6. step 06

    Paint the water, using blues, greens, and browns to reflect the surrounding landscape.

  7. step 07

    Add details such as windows, doors, and foliage, using smaller brushes.

  8. step 08

    Refine the colors and values, paying attention to the overall harmony of the painting.

color palette

primary · titanium white · ultramarine blue · burnt sienna · cadmium red

secondary · yellow ochre · viridian green · raw umber

Mix white with small amounts of blue and sienna to create the sky and building colors. Use red and sienna for the roofs. Mix greens by combining blue and yellow, and adjust with browns for natural tones.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the initial sketch, leading to inaccurate proportions.
  • →Focusing too much on detail too early, losing the overall impression.
  • →Using too much paint, creating a thick, heavy texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·easel
  • ·painting medium

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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