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home·artworks·Farm in front of Garmisch. In the background the Wetterstein Mountains
Farm in front of Garmisch. In the background the Wetterstein Mountains by Heinrich Bürkel

plate no. 0949

Farm in front of Garmisch. In the background the Wetterstein Mountains

Heinrich Bürkel

oilRomanticismlandscapemountainsfarmhousecowsfieldskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures of natural elements like mountains and wood.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, farmhouse, and foreground elements.

  2. step 02

    Block in the sky with light blues and grays, blending softly to create cloud formations.

  3. step 03

    Establish the mountain ranges using a range of cool grays and browns, paying attention to values to create depth.

  4. step 04

    Paint the farmhouse, starting with the basic shapes and then adding details like windows, balconies, and the roof structure.

  5. step 05

    Block in the field with greens and browns, varying the colors to suggest different types of vegetation.

  6. step 06

    Add the cows and figures, simplifying their forms and focusing on their placement within the scene.

  7. step 07

    Refine the details of the foreground, including the path, logs, and any small plants or flowers.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · cadmium yellow · ivory black

Achieve the mountain colors by mixing ultramarine blue, raw umber, and titanium white. Use burnt sienna and yellow ochre for the warmer tones of the farmhouse and field.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details in the mountains, losing the sense of atmospheric perspective.
  • →Making the colors too saturated, resulting in an unrealistic appearance.
  • →Neglecting the importance of value contrast in creating depth.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, raw umber, ultramarine blue, yellow ochre, burnt sienna, ivory black)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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