apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Farewell to Atelier
Farewell to Atelier by Jacek Malczewski

plate no. 2959

Farewell to Atelier

Jacek Malczewski

oilArt Nouveau (Modern)portraitportraitfiguresartiststudiomodelsinterior
experienced study

Recreating this painting will help students develop skills in portraiture, figure drawing, and capturing subtle light and shadow variations on skin tones and fabric. It also provides practice in creating a complex composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin refining the facial features and skin tones, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the clothing, focusing on the folds and textures.

  5. step 05

    Work on the background elements, creating depth and atmosphere.

  6. step 06

    Refine the details of the hands and other small elements.

  7. step 07

    Adjust the overall color harmony and value relationships.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · raw sienna

secondary · cadmium red · ultramarine blue · ivory black

Achieve skin tones by mixing white, yellow ochre, burnt umber, and a touch of cadmium red. Use ultramarine blue and burnt umber to create muted grays and browns for the background.

techniques

  • ·portraiture
  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones and losing the subtle variations.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of accurate proportions.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois