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home·artworks·Farewell, Fair Lily
Farewell, Fair Lily by Eleanor Fortescue-Brickdale

plate no. 7169

Farewell, Fair Lily

Eleanor Fortescue-Brickdale

watercolorRomanticismillustrationfigurelandscapewatertreesfoliageflowers
experienced study

Recreating this painting will help students develop skills in layering watercolor washes to create depth and detail, as well as rendering complex textures like foliage and fabric folds. It also provides practice in creating a sense of atmosphere and capturing subtle color variations in nature.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: figure, stream, trees, and foreground foliage.

  2. step 02

    Establish the basic color washes for the sky and water, using diluted blues and greens.

  3. step 03

    Layer in the background trees and foliage, gradually building up depth with darker greens and browns.

  4. step 04

    Begin painting the figure, starting with light washes of red for the cloak and gray for the hat, then adding shadows and details.

  5. step 05

    Develop the foreground foliage, using a variety of greens and yellows to create texture and variation.

  6. step 06

    Add details to the flowers, using small brushes and vibrant colors.

  7. step 07

    Refine the details of the figure's clothing and features.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · sap green · alizarin crimson · raw umber

secondary · cadmium yellow · ultramarine blue · burnt sienna

Mix greens by combining blues and yellows, and vary the tones by adding touches of brown or red. Achieve the red cloak's depth by layering alizarin crimson with burnt sienna and a touch of ultramarine blue for shadows.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·layering
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors straight from the tube without mixing.
  • →Not allowing washes to dry completely before layering.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper (140lb)
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve varying levels of detail.

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watercolor techniques →how to learn by studying the masters →
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