apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fantasy in Twilight
Fantasy in Twilight by Edward Robert Hughes

plate no. 8086

Fantasy in Twilight

Edward Robert Hughes, 1911

oilRomanticismsymbolic paintingfigurelandscapetreesangelstwilightfoliage
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, layering, and creating ethereal effects. It also provides practice in rendering complex forms with subtle tonal variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, tree, and the angel group.

  2. step 02

    Establish the overall value structure with a thin wash of dark blue and brown.

  3. step 03

    Begin layering in the darker areas of the foliage and tree trunk, building up texture with short brushstrokes.

  4. step 04

    Paint the figure, paying attention to the drapery folds and subtle highlights.

  5. step 05

    Create the ethereal effect of the angels by layering thin washes of white and pale blues.

  6. step 06

    Add the warm highlights in the sky and on the tree trunk to create contrast.

  7. step 07

    Refine the details of the foliage and grass in the foreground.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium orange · sap green

Achieve the muted tones by mixing complementary colors. Use white to create the ethereal quality of the angels. Mix blues and browns for the dark foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details in the background, losing the atmospheric perspective.
  • →Making the angels too solid and defined, losing their ethereal quality.
  • →Using colors that are too saturated, creating a jarring effect.
  • →Failing to establish a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke