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home·artworks·Family Portrait, Minerva, Amilcare and Asdrubale Anguissola
Family Portrait, Minerva, Amilcare and Asdrubale Anguissola by Sofonisba Anguissola

plate no. 2919

Family Portrait, Minerva, Amilcare and Asdrubale Anguissola

Sofonisba Anguissola, 1557

oilMannerism (Late Renaissance)portraitfiguresportraitlandscapedogclothingarchitecture
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and clothing folds. It also provides practice in creating a sense of depth and atmosphere through subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the forms by layering colors and adding details to the faces and clothing.

  4. step 04

    Pay attention to the light source and how it affects the shadows and highlights on the figures.

  5. step 05

    Develop the background landscape, focusing on creating a sense of depth and atmosphere.

  6. step 06

    Refine the details of the figures, including the facial features, hair, and clothing.

  7. step 07

    Add the final touches, such as highlights and shadows, to create a sense of realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red · yellow ochre

Mix various shades of brown and gray by combining ivory black, raw umber, and burnt sienna with titanium white. Use ultramarine blue and cadmium red to create the purplish hues in the clothing. Yellow ochre can be used to warm up the skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of unity.
  • →Failing to capture the likeness of the subjects.
  • →Creating muddy or dull colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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related guides

oil painting for beginners →how to learn by studying the masters →
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