
plate no. 8518
Vincenzo Cabianca, 1856
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as layering watercolor washes to create depth and form.
technical profile
approach — 8 steps
Create a light pencil sketch of the composition, paying attention to proportions and placement of figures.
Apply a thin wash of diluted raw sienna or yellow ochre to the entire paper as a base tone.
Begin painting the background with light washes of diluted browns and grays, leaving some areas lighter to suggest highlights.
Start building up the skin tones with thin washes of diluted reds, yellows, and browns, layering colors to create depth and dimension.
Paint the clothing with appropriate colors, using darker values to create shadows and lighter values to suggest highlights.
Add details to the faces, such as eyes, noses, and mouths, using fine brushes and precise strokes.
Paint the flowers and other details, such as the orange and the doll, using appropriate colors and values.
Add final touches and highlights to the painting, using white or light-colored paint sparingly.
color palette
primary · raw sienna · burnt umber · ivory black · cadmium red light
secondary · ultramarine blue · yellow ochre · alizarin crimson
Mix skin tones by blending red, yellow, and brown, adjusting ratios for different complexions. Achieve darker tones by adding black or burnt umber to the primary colors.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paints and brushes for best results. Stretch the watercolor paper before painting to prevent buckling.
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