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Family portrait by Vincenzo Cabianca

plate no. 8518

Family portrait

Vincenzo Cabianca, 1856

watercolor, paperRomanticismportraitportraitfamilyfiguresclothingflowersinterior
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as layering watercolor washes to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light pencil sketch of the composition, paying attention to proportions and placement of figures.

  2. step 02

    Apply a thin wash of diluted raw sienna or yellow ochre to the entire paper as a base tone.

  3. step 03

    Begin painting the background with light washes of diluted browns and grays, leaving some areas lighter to suggest highlights.

  4. step 04

    Start building up the skin tones with thin washes of diluted reds, yellows, and browns, layering colors to create depth and dimension.

  5. step 05

    Paint the clothing with appropriate colors, using darker values to create shadows and lighter values to suggest highlights.

  6. step 06

    Add details to the faces, such as eyes, noses, and mouths, using fine brushes and precise strokes.

  7. step 07

    Paint the flowers and other details, such as the orange and the doll, using appropriate colors and values.

  8. step 08

    Add final touches and highlights to the painting, using white or light-colored paint sparingly.

color palette

primary · raw sienna · burnt umber · ivory black · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix skin tones by blending red, yellow, and brown, adjusting ratios for different complexions. Achieve darker tones by adding black or burnt umber to the primary colors.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·layering
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the watercolor, leading to muddy colors.
  • →Failing to capture the likeness of the figures.
  • →Using too much water, causing the colors to bleed.
  • →Not allowing each layer of paint to dry completely before applying the next.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (various sizes)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·ruler
  • ·kneaded eraser
  • ·watercolor pencils

Use high-quality watercolor paints and brushes for best results. Stretch the watercolor paper before painting to prevent buckling.

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watercolor techniques →how to learn by studying the masters →
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