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home·artworks·Familiy Portrait. Augusta Antoinette Wergeland Vedøe. Sister of Famous Norwegian Poet Henrik Wergeland
Familiy Portrait. Augusta Antoinette Wergeland Vedøe. Sister of Famous Norwegian Poet Henrik Wergeland by Knud Baade

plate no. 8832

Familiy Portrait. Augusta Antoinette Wergeland Vedøe. Sister of Famous Norwegian Poet Henrik Wergeland

Knud Baade, 1838

oilRomanticismportraitportraitfiguredresslaceribbonjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering delicate details like lace and fabric. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and main features.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general tones of the figure.

  3. step 03

    Begin layering skin tones, focusing on subtle variations in color and value to create form.

  4. step 04

    Paint the dress, paying attention to the folds and shadows to give it volume.

  5. step 05

    Carefully render the lace collar and headpiece, using thin layers of paint to create the delicate details.

  6. step 06

    Add the ribbon and jewelry, using brighter colors and highlights to make them stand out.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · titanium white · ivory black · cadmium red light · yellow ochre

secondary · ultramarine blue · viridian green · burnt umber

Skin tones are achieved by mixing white, yellow ochre, and cadmium red light, with small amounts of blue or umber to adjust the temperature. The dark background is primarily black with hints of umber and blue. The ribbon is a mix of red and white with glazing.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·underpainting

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create a sense of depth in the background.
  • →Making the lace look too flat or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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oil painting for beginners →how to learn by studying the masters →
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