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home·artworks·Faithful Unto Death
Faithful Unto Death by Edward Poynter

plate no. 2248

Faithful Unto Death

Edward Poynter, 1865

oil, canvasRomanticismhistory paintingfigurearmorarchitecturefirehistorical sceneshadow
experienced study

Recreating this painting will help students develop skills in figure painting, rendering metallic surfaces, and creating atmospheric perspective. It also provides practice in depicting dramatic lighting and creating a narrative scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and architectural elements.

  2. step 02

    Establish the overall warm color palette with a base layer of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of light and shadow, focusing on the dramatic contrast.

  4. step 04

    Begin rendering the figure, paying close attention to anatomy and proportions.

  5. step 05

    Develop the details of the armor, using highlights and shadows to create a metallic sheen.

  6. step 06

    Paint the background scene, using atmospheric perspective to create depth.

  7. step 07

    Add the details of the architectural elements, such as the doorway and the crumbling walls.

  8. step 08

    Refine the overall composition and add final touches, such as the debris on the floor and the falling fire.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · yellow ochre · ivory black

Achieve the warm, earthy tones by mixing burnt umber and raw sienna in varying proportions. Use cadmium red and yellow ochre to create the highlights on the armor and skin. Add ivory black to darken shadows and create depth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering metal

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to create a convincing metallic sheen on the armor.
  • →Not establishing a strong enough contrast between light and shadow.
  • →Overworking the details and losing the overall sense of atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a high-quality canvas to ensure the longevity of the painting. Experiment with different brush sizes and shapes to achieve the desired effects.

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oil painting for beginners →how to learn by studying the masters →
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