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home·artworks·Fair Is My Love
Fair Is My Love by Edwin Austin Abbey

plate no. 7228

Fair Is My Love

Edwin Austin Abbey, 1900

oil, canvasRomanticismgenre paintingfigureslandscapetreefoliageclothingmusical instrument
experienced study

Recreating this painting will help students develop skills in rendering complex drapery, creating atmospheric perspective, and capturing realistic skin tones under varied lighting conditions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and the tree.

  2. step 02

    Establish the background with broad washes of color, focusing on creating depth and atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures, paying attention to proportions and basic anatomy.

  4. step 04

    Start building up the values in the figures' clothing, focusing on the folds and shadows in the drapery.

  5. step 05

    Develop the skin tones, using subtle color variations to create a realistic and luminous effect.

  6. step 06

    Add details to the musical instrument, carefully rendering the intricate patterns and textures.

  7. step 07

    Refine the foliage and ground cover, using small brushstrokes to create a sense of texture and depth.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red

secondary · yellow ochre · sap green · alizarin crimson · ultramarine blue

Achieve the skin tones by mixing titanium white, cadmium red, and yellow ochre, with small amounts of burnt umber and alizarin crimson for shadows. Create the off-white of the dress by mixing titanium white with small amounts of burnt umber and yellow ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Neglecting the importance of edges.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A toned canvas (e.g., with a thin wash of burnt umber) can be helpful.

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