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home·artworks·Face
Face by Giuseppe de Nittis

plate no. 2367

Face

Giuseppe de Nittis

watercolorImpressionismportraitfigureportraitdresswindowlightshadow
some experience helpful

Recreating this painting will help students develop skills in loose watercolor washes and capturing light and shadow to suggest form rather than precise detail. It also encourages simplification and expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Apply a light wash of diluted yellow ochre and burnt sienna to the entire paper to create a warm undertone.

  3. step 03

    Begin with the lightest areas, using clean water to lift color and create highlights on the face and dress.

  4. step 04

    Layer in darker washes of burnt umber and indigo for the shadows and background, allowing the colors to blend wet-on-wet.

  5. step 05

    Use a slightly drier brush to add texture and details to the hair and dress.

  6. step 06

    Define the edges of the figure and clothing with darker, more concentrated washes.

  7. step 07

    Add final touches of color and detail, such as the blue in the hat and the red in the ear.

  8. step 08

    Let the painting dry completely and assess the values and composition, making any necessary adjustments.

color palette

primary · yellow ochre · burnt sienna · burnt umber

secondary · indigo · payne's gray

Achieve the various browns and grays by mixing burnt umber with yellow ochre and indigo. Dilute with water for lighter washes and use more pigment for darker values.

techniques

  • ·wet-on-wet blending
  • ·lifting color
  • ·dry brush
  • ·glazing
  • ·value control

common pitfalls

  • →Overworking the painting and losing the freshness of the watercolor.
  • →Using too much water and creating muddy colors.
  • →Not allowing the washes to dry completely before adding subsequent layers.
  • →Focusing too much on detail and neglecting the overall composition and values.

materials

surface · watercolor paper 140lb cold press

required

  • ·Watercolor paper 140lb cold press
  • ·Watercolor paints (yellow ochre, burnt sienna, burnt umber, indigo)
  • ·Round watercolor brushes (sizes #4, #8, #12)
  • ·Palette for mixing paints
  • ·Water container
  • ·Paper towels
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Spray bottle
  • ·Palette knife

Use high-quality watercolor paper to prevent buckling and ensure vibrant colors. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
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