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home·artworks·Expulsion of Heliodorus from the Temple (detail)
Expulsion of Heliodorus from the Temple (detail) by Raphael

plate no. 1971

Expulsion of Heliodorus from the Temple (detail)

Raphael, 1512

frescoHigh Renaissancehistory paintingfigurescrowdreligiousarchitectureclothingportrait
experienced study

Recreating this painting will help students develop skills in portraiture, figure drawing, and rendering complex drapery with subtle value shifts. It also provides practice in creating depth and atmosphere through layering and glazing techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Transfer the sketch to the painting surface, paying close attention to anatomical accuracy.

  3. step 03

    Block in the main shapes and colors with thin washes of paint, focusing on the overall value structure.

  4. step 04

    Begin building up layers of paint, gradually refining the forms and adding details.

  5. step 05

    Pay close attention to the light source and how it affects the highlights and shadows on the figures and drapery.

  6. step 06

    Use glazing techniques to create subtle color variations and atmospheric effects.

  7. step 07

    Refine the details of the faces and clothing, paying attention to the textures and patterns.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Use glazes of diluted color to create depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Incorrect proportions in the figures
  • →Overly saturated colors
  • →Lack of depth and atmosphere
  • →Poor blending of values
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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