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home·artworks·Excavation. Penn Station
Excavation. Penn Station by Ernest Lawson

plate no. 1417

Excavation. Penn Station

Ernest Lawson, 1906

oil, canvasImpressionismcityscapecityscapeconstructionfigurescranesbuildingsexcavation
some experience helpful

Recreating this painting will help students develop skills in layering paint to create texture and capturing atmospheric perspective with subtle color variations. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the excavation pit, cranes, and buildings.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the main color areas, starting with the sky and background buildings, then moving to the excavation site and foreground.

  4. step 04

    Begin layering paint with visible brushstrokes, using thicker paint for areas of detail and texture.

  5. step 05

    Pay attention to the direction of light and shadow, adding highlights and dark accents to create depth.

  6. step 06

    Refine the details of the figures and machinery, using smaller brushes and more precise strokes.

  7. step 07

    Add final touches of color and texture to create a sense of atmosphere and movement.

  8. step 08

    Allow to dry and add a varnish coat.

color palette

primary · raw sienna · burnt umber · titanium white · ivory black

secondary · yellow ochre · ultramarine blue · cadmium red light

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of ultramarine blue and cadmium red to create subtle color variations in the sky and buildings.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·layering
  • ·impasto

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast.
  • →Failing to simplify the complex scene.
  • →Not capturing the atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-grit canvas to enhance the texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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