apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Evening, when the quiet east flushes faintly at the sun's lasts look
Evening, when the quiet east flushes faintly at the sun's lasts look by Tom Roberts

plate no. 3171

Evening, when the quiet east flushes faintly at the sun's lasts look

Tom Roberts, 1888

oilImpressionismlandscapelandscapetreesskyfieldsunsetbuilding
some experience helpful

This painting provides practice in creating atmospheric perspective and using a limited palette to achieve color harmony. Students will learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, middle ground, and foreground.

  2. step 02

    Block in the sky with a thin wash of pink and yellow, blending the colors softly.

  3. step 03

    Establish the horizon line and the distant hills with muted blues and purples.

  4. step 04

    Paint the fields and trees in the middle ground using warm yellows, browns, and greens, varying the values to create depth.

  5. step 05

    Add details to the buildings and trees in the middle ground.

  6. step 06

    Develop the foreground with darker greens and browns, adding texture with visible brushstrokes.

  7. step 07

    Paint the tree in the foreground, paying attention to its delicate branches.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of light.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · alizarin crimson

Mix pinks for the sky by blending white with alizarin crimson and a touch of yellow ochre. Create muted greens by mixing yellow ochre, ultramarine blue, and burnt sienna.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·color blending
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details in the middle ground.
  • →Creating too much contrast in the foreground.
  • →Using colors that are too saturated.
  • →Failing to establish a clear sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (if using oil paints)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas to allow for texture. Acrylics are faster drying and easier to clean, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann