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home·artworks·Evening Street
Evening Street by Jakub Schikaneder

plate no. 1339

Evening Street

Jakub Schikaneder

oilRomanticismcityscapecityscapebuildingsfiguresstreetsnownight
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color temperature control, and creating a sense of depth using subtle value shifts. It's also a good exercise in capturing the mood of a scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and figures, paying attention to perspective.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas: the buildings, the street, and the sky, focusing on the overall color temperature.

  4. step 04

    Begin layering in details, starting with the darkest areas and working towards the highlights.

  5. step 05

    Pay close attention to the light sources and how they affect the colors and values of the surrounding objects.

  6. step 06

    Add the figures, simplifying their forms and focusing on their silhouettes.

  7. step 07

    Refine the details of the buildings, including the windows and architectural elements.

  8. step 08

    Add final touches, such as highlights on the snow and subtle color variations in the sky.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red

Achieve the muted tones by mixing complementary colors and using white to adjust the values. Use yellow ochre and cadmium red to create the warm glow of the lights.

techniques

  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too saturated and not capturing the muted tones of the scene.
  • →Ignoring the subtle value shifts that create depth and perspective.
  • →Making the figures too detailed and distracting from the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, cadmium red)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

A toned canvas (burnt umber wash) can be helpful for establishing the initial value structure.

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oil painting for beginners →how to learn by studying the masters →
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