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home·artworks·Evening in Rome
Evening in Rome by Jørgen Sonne

plate no. 5736

Evening in Rome

Jørgen Sonne, 1866

oil, canvasRomanticismgenre paintingfiguresbalconycityscapearchitecturecurtainevening
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a realistic style and understanding atmospheric perspective to create depth. It also provides practice in creating subtle gradations of light and shadow.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architectural elements.

  2. step 02

    Establish the main light source and block in the large areas of color, paying attention to the overall value structure.

  3. step 03

    Begin refining the shapes of the figures, adding details to their clothing and facial features.

  4. step 04

    Develop the background cityscape, using lighter values and softer edges to create a sense of distance.

  5. step 05

    Add details to the balcony and curtain, paying attention to the texture and folds.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and volume.

  7. step 07

    Glaze thin layers of color to unify the painting and create subtle color variations.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber

Mix various shades of gray and brown by combining ivory black, titanium white, burnt umber, and yellow ochre. Use ultramarine blue to create the cool tones in the sky and shadows. Mix cadmium red light with white to create the red hues in the clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Using colors that are too saturated.
  • →Not blending colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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