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Esther by John Everett Millais

plate no. 5011

Esther

John Everett Millais, 1865

oil, canvasRomanticismportraitfigureportraitdraperycolumnhairclothing
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery folds, and the texture of hair. Students will also learn how to create a focal point through composition and color.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the column and drapery.

  2. step 02

    Establish the background with the blue drapery and the white wall, paying attention to subtle value changes.

  3. step 03

    Block in the main shapes of the figure, including the skin tones, hair, and the yellow robe.

  4. step 04

    Develop the details of the face, focusing on accurate proportions and subtle shading.

  5. step 05

    Add the details of the hair, using varying brushstrokes to create texture and volume.

  6. step 06

    Work on the folds and details of the yellow robe, paying attention to the way light and shadow define the form.

  7. step 07

    Add the decorative elements on the robe, using a smaller brush for precision.

  8. step 08

    Refine the overall painting, adjusting values and details as needed to create a cohesive and harmonious image.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt sienna

secondary · cadmium red · ivory black · raw umber

Mix skin tones using white, yellow ochre, and a touch of red and burnt sienna. Create the blue drapery by mixing ultramarine blue with white and a touch of black for shadows. Achieve the yellow robe by mixing yellow ochre with white and a touch of cadmium red for warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figure.
  • →Uneven blending of skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for the painting.

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oil painting for beginners →how to learn by studying the masters →
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