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home·artworks·Es Pontàs en Santanyí
Es Pontàs en Santanyí by Alejandro Cabeza

plate no. 8953

Es Pontàs en Santanyí

Alejandro Cabeza, 2016

canvasImpressionismlandscapelandscaperocksskyvegetationcliffsea
some experience helpful

Recreating this painting will help students develop skills in layering paint with visible brushstrokes and understanding how to use color temperature to create form and depth. It also encourages simplification of complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the rocks and sky, focusing on composition.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall color scheme.

  3. step 03

    Begin layering thicker paint, using visible brushstrokes to define the forms.

  4. step 04

    Focus on capturing the light and shadow on the rocks, using warm and cool tones.

  5. step 05

    Add details to the vegetation and sky, using smaller brushstrokes.

  6. step 06

    Refine the edges of the shapes, creating a sense of depth and dimension.

  7. step 07

    Add final touches and highlights to enhance the overall effect.

  8. step 08

    Step back and evaluate the painting, making any necessary adjustments.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium red · viridian green · violet

Mix greens by combining ultramarine blue and yellow ochre, and adjust with viridian green. Achieve various browns and purples by mixing burnt umber with blues and reds.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color temperature

common pitfalls

  • →Overblending the colors, resulting in a muddy effect.
  • →Losing the sense of light and shadow.
  • →Getting bogged down in details too early.
  • →Not using enough paint, resulting in a thin and weak painting.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (yellow ochre, ultramarine blue, burnt umber, cadmium red, viridian green, violet, titanium white)
  • ·Palette
  • ·Assorted brushes (flat and round)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Painting medium (e.g., Liquin)
  • ·Easel
  • ·Apron

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

color theory for painters →how to learn by studying the masters →
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