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home·artworks·Eruption of Vesuvius on June 20, 1794
Eruption of Vesuvius on June 20, 1794 by Saverio della Gatta

plate no. 2187

Eruption of Vesuvius on June 20, 1794

Saverio della Gatta, 1794

oilRomanticismlandscapevolcanoeruptionseafiguresskylandscape
some experience helpful

This painting offers a great opportunity to practice atmospheric perspective and rendering complex cloud formations. Students can also develop skills in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the volcano, coastline, and major cloud formations.

  2. step 02

    Establish the horizon line and the placement of the figures and architectural elements.

  3. step 03

    Block in the sky with light blues and grays, paying attention to the subtle color variations.

  4. step 04

    Paint the volcano and the landmass, using darker greens and browns for the base and lighter shades for the slopes.

  5. step 05

    Begin building up the cloud formations with layers of white, gray, and subtle hints of blue and yellow.

  6. step 06

    Add details to the figures and the architectural ruins, using small brushes.

  7. step 07

    Paint the sea with varying shades of blue and green, reflecting the sky and the surrounding landscape.

  8. step 08

    Add final highlights and shadows to create depth and dimension throughout the painting.

color palette

primary · cerulean blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna · payne's gray

Mix blues and whites for the sky, adding small amounts of yellow ochre for warmth. Use raw umber and burnt sienna for the land, mixing with white to create lighter tones. Achieve cloud colors by mixing white with small amounts of blue, gray, and yellow.

techniques

  • ·atmospheric perspective
  • ·cloud rendering
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the cloud formations, resulting in a muddy appearance.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Ignoring the subtle color variations in the sky and the sea.
  • →Making the figures too prominent, disrupting the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a smooth canvas for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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