apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Eruption of Vesuvius
Eruption of Vesuvius by Johan Christian Dahl

plate no. 0868

Eruption of Vesuvius

Johan Christian Dahl, 1826

oilRomanticismlandscapevolcanoeruptionsmokelandscapefiguresmountains
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for light and shadow, and rendering complex textures like smoke and lava.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the volcano, smoke plume, and landscape elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the sky and distant landscape with light blues and greens, paying attention to atmospheric perspective.

  4. step 04

    Begin layering in the dark tones of the volcanic rock and foreground, gradually building up detail.

  5. step 05

    Mix and apply the fiery colors of the lava flow, using a combination of reds, oranges, and yellows.

  6. step 06

    Carefully render the smoke plume, using soft, blended brushstrokes and varying shades of gray and white.

  7. step 07

    Add details to the figures and foreground elements, paying attention to their scale and placement.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a sense of depth and atmosphere.

color palette

primary · burnt umber · titanium white · cadmium red · cadmium yellow

secondary · ultramarine blue · sap green · ivory black

Achieve the smoke effect by mixing white with small amounts of black, blue, and brown. Create the lava glow by layering reds, oranges, and yellows, and glazing with transparent colors.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·blending

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the smoke plume and losing its sense of lightness.
  • →Making the lava flow too uniform in color and texture.
  • →Ignoring atmospheric perspective and creating a flat, unrealistic landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·cadmium yellow oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·medium flat brush

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke