apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ernest Martin Dence
Ernest Martin Dence by Algernon Talmage

plate no. 0011

Ernest Martin Dence

Algernon Talmage, 1934

oilImpressionismportraitportraitfiguremanclothingchairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric textures and subtle color variations in light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch to establish the basic proportions and composition.

  2. step 02

    Block in the main shapes and colors of the background, figure, and chair.

  3. step 03

    Begin refining the skin tones, paying close attention to the subtle shifts in value and color.

  4. step 04

    Develop the details of the clothing, including the folds and highlights.

  5. step 05

    Add the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Refine the background, adding details to the fabric pattern.

  7. step 07

    Add the highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic look.

color palette

primary · ivory black · burnt umber · cadmium red light · yellow ochre

secondary · titanium white · ultramarine blue · gold

Mix skin tones by blending yellow ochre, cadmium red light, and a touch of burnt umber. Use ivory black and ultramarine blue for the darks in the suit. Add titanium white to lighten colors and create highlights.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·rendering

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle shifts in value and color.
  • →Creating harsh lines and edges.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann