apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ernest Abraham Hart, Editor of the British Medical Journal
Ernest Abraham Hart, Editor of the British Medical Journal by Solomon Joseph Solomon

plate no. 3975

Ernest Abraham Hart, Editor of the British Medical Journal

Solomon Joseph Solomon, 1897

oilRomanticismportraitportraitfiguremantablecupglass
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using light and shadow to define form. It also provides practice in creating a sense of depth and atmosphere with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the dark background using a mix of burnt umber and black.

  3. step 03

    Block in the main shapes of the figure and table with mid-tone values.

  4. step 04

    Begin to build up the highlights on the face, hands, and white shirt using lighter tones of yellow and white.

  5. step 05

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the clothing, cup and glass, and table, using a variety of brushstrokes to create texture.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · raw sienna · cadmium yellow light

Mix burnt umber and black for the dark background and shadows. Use yellow ochre and white for the skin tones, adding small amounts of burnt umber for warmth. Mix white with a touch of yellow ochre for the shirt.

techniques

  • ·chiaroscuro
  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much white, resulting in a chalky appearance.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for best results. Consider using a toned canvas to help establish the dark background.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke