
plate no. 4060
John Wilson Carmichael, 1847
Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. Students will also practice painting complex shapes like ships and figures in boats.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the ships, boats, and mountains.
Establish the horizon line and the overall tonal values of the sky and water.
Block in the large shapes of the mountains and landmasses, paying attention to atmospheric perspective.
Begin defining the shapes of the ships, starting with the largest one and working towards the background.
Add details to the boats and figures, focusing on capturing their forms and gestures.
Paint the reflections in the water, using slightly darker and less saturated versions of the colors above.
Refine the details of the sky and clouds, adding subtle variations in color and tone.
Add final highlights and shadows to create depth and dimension.
color palette
primary · ultramarine blue · yellow ochre · burnt umber · titanium white
secondary · cadmium red · raw sienna · ivory black
Mix various shades of blue and yellow ochre to create the sky and water. Use burnt umber and raw sienna for the mountains and land. Add white to lighten the colors and create atmospheric perspective.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.
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