apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Erebus' and the 'Terror' in New Zealand, August 1841
Erebus' and the 'Terror' in New Zealand, August 1841 by John Wilson Carmichael

plate no. 4060

Erebus' and the 'Terror' in New Zealand, August 1841

John Wilson Carmichael, 1847

oilRomanticismmarinashipsboatsfigureswatermountainssky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. Students will also practice painting complex shapes like ships and figures in boats.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ships, boats, and mountains.

  2. step 02

    Establish the horizon line and the overall tonal values of the sky and water.

  3. step 03

    Block in the large shapes of the mountains and landmasses, paying attention to atmospheric perspective.

  4. step 04

    Begin defining the shapes of the ships, starting with the largest one and working towards the background.

  5. step 05

    Add details to the boats and figures, focusing on capturing their forms and gestures.

  6. step 06

    Paint the reflections in the water, using slightly darker and less saturated versions of the colors above.

  7. step 07

    Refine the details of the sky and clouds, adding subtle variations in color and tone.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · raw sienna · ivory black

Mix various shades of blue and yellow ochre to create the sky and water. Use burnt umber and raw sienna for the mountains and land. Add white to lighten the colors and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections
  • ·layering

common pitfalls

  • →Overworking details too early
  • →Incorrect proportions of ships and boats
  • →Ignoring atmospheric perspective
  • →Making reflections too bright or saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke