
plate no. 4579
David Davies, 1888
Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle variations in light and shadow within a landscape. It also provides practice in simplifying complex forms into basic shapes and using brushstrokes to suggest texture.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the trees, horizon line, and path.
Block in the sky with a thin wash of pale yellow and blue, blending the colors softly.
Establish the distant hills with a muted blue-gray tone, using a lighter value for the closer hills.
Paint the large tree on the right, starting with the trunk and branches, then adding the foliage with loose, broken brushstrokes.
Block in the field with a mix of greens, yellows, and browns, varying the colors to create depth.
Add the path using a lighter value of the field color, suggesting the texture with horizontal brushstrokes.
Paint the figure in the distance with simple shapes and muted colors.
Add final details, such as the fence, smaller trees, and highlights on the foliage.
color palette
primary · yellow ochre · ultramarine blue · burnt umber · titanium white
secondary · sap green · cadmium yellow light · raw sienna
Mix greens by blending yellow ochre and ultramarine blue. Achieve atmospheric perspective by adding white to colors for distant elements. Use burnt umber and white for the tree trunks and branches.
techniques
common pitfalls
surface · stretched canvas
required
optional
A toned canvas (e.g., with a thin wash of burnt umber) can help to unify the colors and create a more harmonious effect.
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