apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Erastus Torrey
Erastus Torrey by Samuel Morse

plate no. 0480

Erastus Torrey

Samuel Morse, 1816

oil, canvasRomanticismportraitportraitfigureclothingchairhistoricalmale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding and applying chiaroscuro to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and chair.

  2. step 02

    Establish the background with a thin wash of burnt umber and raw sienna, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main areas of color for the face, hair, and clothing, using a limited palette of earth tones and white.

  4. step 04

    Refine the facial features, paying close attention to the highlights and shadows that define the form.

  5. step 05

    Add details to the clothing and chair, using subtle variations in color and value to create texture and interest.

  6. step 06

    Blend the edges of the forms to create a soft, naturalistic effect.

  7. step 07

    Add final highlights and details to the face and clothing to enhance the sense of realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of depth.

color palette

primary · ivory black · titanium white · burnt umber · raw sienna

secondary · cadmium red light · yellow ochre

Mix skin tones by combining white, burnt umber, raw sienna, and a touch of cadmium red light. Achieve dark tones by mixing ivory black and burnt umber.

techniques

  • ·underpainting
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the painting and losing the freshness of the initial sketch.
  • →Failing to accurately capture the proportions of the face.
  • →Using too much detail in the background, which can distract from the main subject.
  • →Creating harsh lines and edges that detract from the overall realism.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red light oil paint
  • ·round brushes (#2, #4, #6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany palette

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer underpainting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke