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home·artworks·Eos, A Favorite Greyhound of Prince Albert
Eos, A Favorite Greyhound of Prince Albert by Edwin Henry Landseer

plate no. 0418

Eos, A Favorite Greyhound of Prince Albert

Edwin Henry Landseer, 1841

oil, canvasRomanticismanimal paintingdogtablehatinteriorfabricfurniture
some experience helpful

This painting offers practice in rendering smooth, reflective surfaces and capturing the anatomy of an animal. Students can also learn about creating depth through subtle value changes and color temperature.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the dog, table, and other elements.

  2. step 02

    Establish the background color with a thin wash of red, paying attention to variations in tone.

  3. step 03

    Block in the main areas of the dog with dark values, focusing on the overall form.

  4. step 04

    Refine the dog's anatomy, adding highlights and shadows to create a sense of volume.

  5. step 05

    Paint the details of the hat, gloves, and other accessories, paying attention to texture and form.

  6. step 06

    Add the floor and background details, adjusting values to create depth.

  7. step 07

    Refine the edges and details throughout the painting, ensuring a cohesive and polished look.

  8. step 08

    Add final highlights and shadows to enhance the realism and drama of the scene.

color palette

primary · ivory black · cadmium red · titanium white

secondary · burnt umber · yellow ochre

Mix ivory black with white to create various shades of gray for the dog. Use cadmium red with burnt umber to create the red fabric. Add yellow ochre to white to create the floor color.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Incorrect proportions of the dog's anatomy.
  • →Overly harsh or flat values, lacking subtle gradations.
  • →Neglecting the details of the accessories, making them appear less realistic.
  • →Ignoring the effect of light on the forms, resulting in a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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