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home·artworks·Entry of Queen Mary I with Princess Elizabeth into London in 1553
Entry of Queen Mary I with Princess Elizabeth into London in 1553 by Byam Shaw

plate no. 3139

Entry of Queen Mary I with Princess Elizabeth into London in 1553

Byam Shaw, 1910

oilRomanticismhistory paintingfigurescrowdhistorical scenearchitectureroyal processionclothing
advanced study

Recreating this painting would develop skills in rendering complex figures and drapery, as well as understanding historical costume and creating a sense of depth in a crowded scene. Students will also learn about color harmony and how to create a focal point within a busy composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Begin to refine the figures, paying attention to anatomical accuracy and proportions.

  4. step 04

    Develop the drapery folds and textures, using a variety of brushstrokes.

  5. step 05

    Add details to the faces and clothing, including patterns and embellishments.

  6. step 06

    Work on the background elements, creating a sense of depth and atmosphere.

  7. step 07

    Refine the lighting and shadows, adding highlights and details to create form.

  8. step 08

    Add final details and adjust colors as needed to achieve a cohesive and polished result.

color palette

primary · red · purple · gold · white

secondary · blue · green · brown · black

Achieve the rich purples by mixing red and blue, and create the gold tones by mixing yellow with browns and oranges. Use white to create highlights and lighten colors, and black to create shadows and deepen colors.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →getting lost in details too early
  • →incorrect proportions of figures
  • →muddy colors
  • →flat or lifeless drapery

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, purple, gold, white, blue, green, brown, black)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium (e.g., alkyd)
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to speed up drying time or adjust the consistency of the paint.

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oil painting for beginners →how to learn by studying the masters →
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