apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Entrance to the Casbah
Entrance to the Casbah by Henry Ossawa Tanner

plate no. 5047

Entrance to the Casbah

Henry Ossawa Tanner, 1912

oilImpressionismcityscapecityscapearchitecturefiguresstepsarchwaylight
some experience helpful

Recreating this painting will help students develop skills in layering colors to create luminosity and capturing the effects of light and shadow on architectural forms. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, archway, and figures, focusing on proportions and perspective.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thinned paint.

  3. step 03

    Begin layering colors, starting with the background and working forward, using a limited palette.

  4. step 04

    Pay attention to the warm and cool color variations within the light and shadow areas.

  5. step 05

    Use broken brushstrokes to create texture and suggest details, avoiding hard edges.

  6. step 06

    Refine the shapes of the figures and architectural elements, adding subtle details where necessary.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall impression.

color palette

primary · yellow ochre · titanium white · ultramarine blue

secondary · burnt sienna · alizarin crimson · viridian green

Mix various shades of white with yellow ochre and small amounts of blue or sienna to create the light-filled walls. Use combinations of sienna, crimson, and blue to create the darker tones and shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle color variations within the light and shadow areas.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·view finder

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann