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home·artworks·Entrance to harbor, Moonlight
Entrance to harbor, Moonlight by Marcus Larson

plate no. 0226

Entrance to harbor, Moonlight

Marcus Larson, 1881

oilRomanticismmarinaseashipsmoonlightlighthousewavessky
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create the illusion of light reflecting on water. It will also provide practice in rendering details of ships and creating a sense of depth.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the position of the ships, lighthouse, and moon.

  2. step 02

    Establish the overall value structure by blocking in the sky and sea with a mid-tone blue-gray.

  3. step 03

    Add darker values to the sky and sea to create depth and dimension.

  4. step 04

    Paint the moon with a bright white, blending the edges to create a soft glow.

  5. step 05

    Begin adding details to the ships, starting with the larger ship in the foreground.

  6. step 06

    Paint the lighthouse and other distant elements, using lighter values to suggest distance.

  7. step 07

    Add highlights to the waves and reflections on the water to create a sense of movement and light.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and atmospheric painting.

color palette

primary · Prussian blue · Titanium white · Payne's gray

secondary · Yellow ochre · Burnt umber

Mix Prussian blue and white for the sky and sea, adding Payne's gray for darker tones. Use yellow ochre and burnt umber sparingly to add warmth to the highlights and reflections.

techniques

  • ·Value studies
  • ·Blending
  • ·Dry brushing
  • ·Atmospheric perspective
  • ·Scumbling

common pitfalls

  • →Overworking the details, which can make the painting look stiff and unnatural.
  • →Failing to create a strong sense of atmospheric perspective, which can flatten the image.
  • →Using too much color, which can detract from the overall mood of the painting.
  • →Not paying enough attention to the reflections on the water, which can make the painting look unrealistic.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 12x24
  • ·Prussian blue oil paint
  • ·Titanium white oil paint
  • ·Payne's gray oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Medium (linseed oil or alkyd medium)
  • ·Easel

Use high-quality oil paints for best results. Pre-toned canvas with a mid-tone gray can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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