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home·artworks·Entombment
Entombment by Giorgio Vasari

plate no. 6208

Entombment

Giorgio Vasari, 1532

oil, panelMannerism (Late Renaissance)religious paintingfiguresreligious sceneentombmentclothgroup portraithistorical
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomy, and creating dramatic lighting effects with a limited color palette. It will also provide practice in layering and glazing to achieve depth and rich color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and placement of figures.

  2. step 02

    Transfer the sketch to the canvas, paying attention to proportions and anatomical accuracy.

  3. step 03

    Establish the dark background tones using burnt umber and black.

  4. step 04

    Block in the main figures with a base layer of raw umber and burnt sienna.

  5. step 05

    Begin layering lighter tones to define the forms and create highlights, using a mix of white, yellow ochre, and a touch of red.

  6. step 06

    Add details to the faces and clothing, using smaller brushes.

  7. step 07

    Glaze thin layers of color to enhance the depth and richness of the shadows.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for shadows. Glaze with thin layers of burnt sienna to add warmth.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·layering

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overblending, resulting in a lack of definition.
  • →Failing to establish a strong value structure.
  • →Getting lost in details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·ivory black oil paint
  • ·cadmium red light oil paint

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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