apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Enchanted Pool
Enchanted Pool by Edward Henry Potthast

plate no. 3020

Enchanted Pool

Edward Henry Potthast

oilImpressionismnude painting (nu)figurewatertreesreflectionlandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in rendering skin tones with reflected light and capturing the movement and reflections in water. It will also improve their understanding of impressionistic brushwork and color mixing.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the horizon line.

  2. step 02

    Block in the large areas of color, such as the water, trees, and skin tones, using thin washes.

  3. step 03

    Establish the light and shadow patterns on the figure, paying attention to the reflected light from the water.

  4. step 04

    Begin adding details to the water, using short, broken brushstrokes to create the illusion of movement and reflections.

  5. step 05

    Refine the details of the figure, focusing on the subtle variations in skin tone and the soft edges.

  6. step 06

    Add highlights to the water and figure to create a sense of luminosity.

  7. step 07

    Work on the background foliage, using a variety of greens and yellows to create depth and texture.

  8. step 08

    Add final touches and adjustments to the overall composition.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium yellow · viridian green · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Create the water reflections by mixing blues, greens, and yellows, and varying the proportions to capture the subtle shifts in color.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the reflected light on the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a toned canvas to establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann